Showing posts with label Hritik. Show all posts
Showing posts with label Hritik. Show all posts

Wednesday, 25 November 2015

The utterly detestable Rauf - Agneepath

Agneepath is a remake of the 1990 cult classic by the same name. Hritik, got into the shoes of Amitabh (who also won a National award), playing the iconic character of Vijay Dinanath Chauhan. Not imitating Amitabh was one of the best things Hritik did. Infact, he also had fewer dialogues compared to the original, which was peppered with a lot of hard-hitting ones. Nevertheless, Hritik managed to show his acting prowess through his silence.

A new character, Rauf Lala, a pimp and a ruthless drug lord, was introduced in this remake. Rishi Kapoor essayed the role of Rauf Lala. He was initially skeptical about playing a negative role and even gave an audition for the first time in his career to ensure that he fits the role.

He was unkind, unmerciful and 'odious beyond redemption'. Lets take a closer look at one of the scenes where he was at his evil best.

A little background: to prepare himself to avenge his father’s death, the young Vijay (Hritik) joins Rauf Lala and is raised by him. After becoming his trusted lieutenant, the grown-up Vijay tries to overthrow Rauf and claim his position to challenge Kancha (his fathers murderer). In the process, he also kills Rauf Lala’s son. When Rauf comes to know about this, he kidnaps Vijay’s sister and arranges an auction to sell her off. Vijay comes to save his sister and hits Rauf.

“Abba Jaan”
Rauf replies “Mar gaya tera Abba Jaan”


The myriad expressions  - the hint of a smile, the seething anger, the sneer of revenge and the pain of betrayal. What a show by Rishi Kapoor!


When Vijay hits Rauf, Rauf falls down the stairs and the camera zooms in. The hint of tears in Rauf’s eyes at the treachery is immediately overpowered by the thirst for revenge. Rauf communicates all this with his eyes with only a little support from his facial expressions. He doesn't take revenge by physically fighting back, but by making malicious remarks about Vijay’s sister. Rauf knows that this will hurt him more than any physical violence, though he later hits him in retaliation. 

Rauf abuses his sister again and even as he does this, an evil smile spreads across his face. He looks utterly loathsome.

The suave Rishi Kapoor played the negative role with uncanny ease. One hates him throughout the movie. This kind of hatred for a character, I haven’t felt in years.  Had Rishi Kapoor tried his luck in a negative role earlier, would we have been treated to many more such memorable performances? It took him almost four decades to take that leap of faith.  Is it a loss to the Indian cinema that he started playing different characters so late in his career? Better late than never, viewers witnessed one of the best negative roles.

Friday, 30 October 2015

Tacit Emotions - Lakshya


Lakshya, set against the backdrop of Operation Vijay, traces the journey of Karan, from being an irresponsible, aimless brat to a  soldier.

Karan and Romi, childhood sweethearts, separate due to the differences in their outlook towards life. Romi is focused and determined whereas Karan lacks an aim (lakshya) in life.  After years, Karan and Romi meet in an army camp. Romi has become a war correspondent and Karan is a soldier in the Indian army.

 <The location is an army camp>

India has to reclaim the peak in the Kargil sector from Pakistan. The regiment selects twelve of its soldiers for this daunting task. Karan is one among the twelve. A day before the mission, Karan is in a jeep with his officer. The jeep stops to give way to passing army trucks. Karan sees Romi waving to the passing soldiers. He looks at her and the camera captures Romi from a distance. There is a grin on Romi’s face. She is happy to see karan. Karan wants to walk up to Romi and decides to get down from the Jeep. He immediately realizes the presence of his officer and takes his permission to meet her. This scene is a testimony to the director’s skill in capturing the minutest of details. Karan walks towards Romi and a truck passes between them, reminiscent of the distance between them that they now want to bridge.

Karan – Hi
Romi – Hi
Karan – I miss you Romi. Bahut yaad karta hoon mai tumhe
Romi (with a hint of tears in her eyes) – Main bhi
Karan – Main kal ek mission pe ja raha hoon
Romi (with a hint of smile) – Main intezaar karoongi
Karan (with conflicting emotions)  – Ho sakta hai mai wapis nahi aaun
Romi (with a confident look) – To mai zindagi bhar intezaar karoongi

Karan is overwhelmed by emotions. He comes closer to Romi. He wants to hug her. He looks around and becomes conscious of the location as well as the people around him. He holds back. Romi also wants to hug him, but being equally aware of the surrounding, holds herself back. They want to hug to let each other know how they feel. They want to whisper their love. They want to share their emotions. They want to make up for all the lost time. They realize that this may be their last moment together. But, they are handcuffed by the milieu. The helplessness is captured with heart-wrenching reality. In this scene, silence does speak louder than the words. The instrumental of ‘Kitni baaten yaad aati hai” starts playing softly in the background, beautifully capturing the myriad emotions of Karan and Romi.